By Dianna Hutts Aston, Sylvia Long
Award-winning artist Sylvia lengthy has teamed with up-and-coming writer Dianna Aston to create this pretty and informative creation to eggs. From tiny hummingbird eggs to massive ostrich eggs, oval ladybug eggs to tubular dogfish eggs, gooey frog eggs to fossilized dinosaur eggs, it magnificently captures the extraordinary number of eggs and celebrates their good looks and wonder.
The evocative textual content is certain to motivate full of life questions and observations. but whereas poetic in voice and stylish in layout, the publication introduces teenagers to greater than 60 sorts of eggs and an enticing array of egg evidence. Even the endpapers brim with details. a young and interesting consultant that's both at domestic being learn to a toddler on a parent's lap as in a school room examining circle. Plus, this can be the mounted layout model, which appears to be like nearly just like the print variation.
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Extra resources for An Egg is Quiet
Today we see everywhere the role of irreversible processes, of fluctua tions. The models considered by classical physics seem to us to occur only in limiting situations such as we can create ar tificially by putting matter into a box and then waiting till it reaches equilibrium. The artificial may be deterministic and reversible. The natu ral contains essential elements of randomness and irrevers ibility. This leads to a new view of matter in which matter is no longer the passive substance described in the mechanistic world view but is associated with spontaneous activity.
Today this situation has completely changed. We now know that far from equilibrium, new types of struc tures may originate spontaneously. In far-from-equilibrium conditions we may have transformation from disorder, from thermal chaos, into order. New dynamic states of matter may originate, states that reflect the interaction of a given system with its surroundings. We have called these new structures dis sipative structures to emphasize the constructive role of dis sipative processes in their formation.
It is not alterable . . " 1 6 For a long time Bruno's vision dominated the scientific view of the Western world. It is therefore not surprising that the intrusion of irreversibility, coming mainly . ORDER OUT OF CHAOS 16 from the engineering sciences and physical chemistry, was re· ceived with mistrust. But there are technical reasons in addi· tion to cultural ones. Every attempt to "derive" irreversibility from dynamics necessarily had to fail, because irreversibility is not a universal phenomenon.